The narrative unfolds across the wall, encountered in fragments rather than as a single scene.
A large-scale site-specific work from the Surface as Memory series, developed across an extended architectural surface with multiple dispersed scenes.
Public Mural Project – Kerman Municipality, Iran, March 2021
This project was
developed in Kerman, working on a much larger and more extended surface than
the earlier works in the series.
Instead of
focusing on a single scene, the composition is built from multiple fragments.
These are distributed across the wall, following its structure—openings,
divisions, and areas of decay.
Each part
responds to a specific condition of the surface. Some scenes are interrupted,
others continue across sections, creating a sequence that is not fixed in one
place.
The imagery draws
from Persian miniature painting, but here it is spread out rather than
contained. The work unfolds gradually, depending on how the viewer moves along
the wall.
What becomes important is not just the image itself, but the way it is encountered—piece by piece, over time and distance.
