A continuous line
moves across the wall, connecting fragments into a single visual rhythm.
A site-specific
intervention from the Surface as Memory series, developed through a continuous
structure across the architectural surface.
Public Mural Project – Tehran Municipality, Iran, February 2022
This work was
developed by approaching the wall as a connected field rather than a fixed
image.
-
- Leila Delfan
This work was
developed by approaching the wall as a connected field rather than a fixed
image.
Instead of
isolating figures within a single composition, a linear structure moves across
the surface—linking architectural elements such as windows, doors, and edges.
The miniature
figure is embedded within this system, not as a central subject but as part of
a larger rhythm.
The lines respond directly to the existing conditions of the wall, tracing its interruptions and irregularities while connecting them into a continuous flow. What becomes visible is not a single image, but a movement across the surface—something that unfolds as the eye follows the line.
